Much of my work over the past few years combines a deep background in typography with the desire to unearth the forgotten, and ultimately unknowable, layers that connect us with the earliest humans—our beauty, brutality, intelligence, and poetry.

The work is meant to be painfully personal and also tender, inviting. Their layering not only describes the passage of time, but also demands time. To pause with one of the Asemic Stories can be interesting, but to spend more time with it can reveal more stories, and more layers.